Bonus Features
				Directed by PIERRE & FRANCOIS LAMOUREUX
	
	
Executive Producers PEGI CECCONI, RAY DANNIELS
	
	
Producer ALLAN WEINRIB
	
	
Co-Producers PIERRE & FRANCOIS LAMOUREUX
	
	
Director of Photography EUGENE O'CONNOR
	
	
Lighting Director/Designer HOWARD UNGERLEIDER
	
	
Edited by MARK MORTON
	
	
Music Mixed by RICHARD CHYCKI & ALEX LlFESON
	
	
Music Recorded by FRANCOIS LAMOUREUX
	
	
Line Producer GAVIN PIGOTT
	
	
VIDEO PRODUCTION
	
	
Senior Production Engineer BENJAMIN VAUGHN
	
	
Remote Recording Facilities B&R MEDIENTECHNIK
	
	
Senior Recording Engineer BERND KUGLER
	
	
Recording Engineers BRIAN MERCIER, MARC LENZ, TIMO OSTERMANN, REMI ROMAGNY, JAN WREDE
	
	
Video Recording Facilities OUTSIDE BROADCAST
	
	
Representative TIMO KOCH
	
	
Project Manager DIRK DE BLOCK
	
	
Senior Video Engineer BERT HAENTJENS
	
	
Communications Engineer YVES LEENDERS
	
	
Communications Assistant TOM VAN DE VELDE
	
	
VTR Operator BART THIRON
	
	
Shaders/CCU DAVID BUYLE, GREG FARAVEL, SVEN HENDRICKX, YVO VAN SOEST
	
	
Vision Mixer MIEKE DE PRETER
	
	
Camera Operators MAARTEN CELEN, IVANO DE NOTARPIETRO, JONAS DEWILDE, HERMAN HEIRSTRATE, FREDERIK KNAPEN, LOUIS MULVEY, BRETT TURNBULL
	
	
Camera Assistants MARCO CHRISOSTOMOU, KENNY DE THAEY, OLIVER VAN DEN BROECK, JOEY VAN KERCKHOVE
	
	
Jib Operators KENNY COECK, PIET DENUL
	
	
Dolly Operators ROEL THUS, RIK DE WILDE
	
	
Junior Dolly Camera Operator FRANK DE SWAEF
	
	
Junior Dolly Grip VISSER WOUTER
	
	
Robotic Camera Operators DIETER DE JAEGHERE, KONRAD WIDELSKI
	
	
Techno Crane Camera Operator PETER SMOUT
	
	
Techno Crane Grips AJ DEKKER, BRAM KINSBERGEN
	
	
Tower Cam Operator CARlEN DIJKSTRA
	
	
Production Assistants MATHIEU GRAINGER, MIKE COLLET
	
	
Assistants JELLE ECTOR, ALEXANDER GARCIA, VINCENT MATIHIJS, BERTO OUDE VELDHUIS, ERNST ROUSEL, HANS SCHUEREMANS, WOUTER VISSER, UDO VLASSELAERTS
	
	
Drivers/Riggers JOERI DONCKERS, DAVID VAN HOLST
	
	
Key Lighting Supplier FLASHLIGHT RENTAL
	
	
Project Manager STEVEN POST
	
	
Lighting Crew JAN HOEFNAGELS, CHRIS SABELLECK, ANCO STIELSTRA, ERWIN VAN EMPEL, JOHANNES VERSLOOT
	
	
Hair and Makeup ELISABETH ANNICAERT
	
	
Local Promoter ROB TROMMELEN, MOJO CONCERTS A LIVE NATION COMPANY
	
	
Venue AHOY, Rotterdam, Netherlands
	
	
Senior Venue Production Manager OTGER VERMEULEN
	
	
Venue Production Manager GUUS HOGENES
	
	
Runners ARJEN GROOT, BOBBY PRONK, CARNITA SCHURMAN
	
	
POST-PRODUCTION
	
	
Post-Production Supervisor LISA MELANSON, FOGOLABS, Montreal
	
	
DVD Project Manager RYAN DECARLONIS, FOGO LABS, Montreal
	
	
Offline Editing Facility SCHOOL EDITING, Toronto
	
	
Assistant Editor JACKIE RODA
	
	
Post-Production Facility FOGOLABS, Montreal
	
	
Online Video Editor YANNICK GAMACHE
	
	
Video Assistant NICOLAS MERCIER
	
	
Audio Post-Production Facilites MIXLAND MUSIC & DVD, Toronto; LERXST SOUND, Toronto
	
	
Studio Destruction Engineer ADRIAN ZIVOJINOVICH
	
	
Audio Mastering ANDY VanDETTE, MASTERDISK, New York
	
	
DVD Authoring FOGO LABS, Montreal
	
	
Menu Production & Menu Transitions BEN KIM, LABTESTED, New York
	
	
Programming & Encoding BROADNESS, New York
	
	
RUSH TOUR PERSONNEL
	
	
Tour Manager LlAM BIRT
	
	
Road Manager DONOVAN LUNDSTROM
	
	
Artist Liaison SHELLEY NOTT
	
	
Production Manager CRAIG BLAZIER
	
	
Production Assistant KARIN BLAZIER
	
	
Tour Accountant KEITH KELLER
	
	
Concert Sound Engineer BRAD MADIX
	
	
Lighting Director HOWARD UNGERLEIDER
	
	
Keyboard Technician TONY GERANIOS
	
	
Drum Technician LORNE WHEATON
	
	
Bass Technician RUSS RYAN
	
	
Guitar Technician BOBBY HUCK
	
	
Security MICHAEL MOSBACH, KEVIN RIPA
	
	
Stage Manager/Carpenter GEORGE STEINERT
	
	
Nutritionist BRUCE FRENCH
	
	
Audio Crew Chief JO RAVITCH
	
	
Stage Monitor Engineer BRENT CARPENTER
	
	
Audio Technicians ANSON MOORE, DANIEL TAAKE
	
	
Lighting Crew Chief GREG HAYGOOD
	
	
Master Electrician RANDY GARRETT
	
	
Lighting Technicians MATTHEW TUCKER, GREG SZABO
	
	
Head Rigger JOHN FLETCHER
	
	
Rigger CHRIS SORENSEN
	
	
Motion Control RAFFAELE BUONO
	
	
Video Director DAVID DAVIDIAN
	
	
Video Engineer BOB LARKIN
	
	
Camera Operator NICK STRAND
	
	
Led Engineer BILL QUINN
	
	
Laser Technician ANDREW SEABECK
	
	
Pyro Technician JOHN ARROWSMITH
	
	
Merchandser PATRICK McLOUGHLIN for SHOWTECH
	
	
Motorcycle Guru PHIL MACMULLIN
	
	
Caterers TONI LEEN, HUGH MACFARLANE, SIMON GREENFIELD, VIVIEN DALE
	
	
Bus Drivers MARK BAD DAMS, GEOFF PARNABY, DAVE GOOD, ANDREW FORSTER, UWE SCHOLZ
	
	
Truck Drivers MATI KENWARD, GARY WORKMAN, ANDY GODDARD, NIGEL WEBBER, MARC COLEMAN, DANNY MACINTOSH, STEVE BERRY, ANDREW MELLOR, STEVE SPILLMAN, ADRIAN GREEN
	
	
RUSH TOUR REAR SCREEN CREDITS
	
	
Executive Producer ALLAN WEINRIB
	
	
Set One Introduction Film
	
Animation and VFX by SPIN
	
Creative Director/Animator MIKE SPICER
	
Executive Producer LISA HEMEON
	
Designer/ Animator RODRIGO SANTAS
	
	
Live action segments IMPORTED ARTISTS
	
Director DALE HESLIP
	
Producer JILL WATERS
	
Editor MARK PAIVA
	
	
Circumstances, Mission, Secret Touch, Between the Wheels, The Main Monkey Business, Spindrift, Witch Hunt, Natural Science
	
by DERIVATIVE: RACHEL VILLUENS, MARKUS HECKMANN, GREG HERMANOVIC, GEOFF MARSHALL
	
	
Set Two Introduction Film
	
Animation and VFX by SPIN
	
Creative Director COLIN DAVIES
	
Executive Producer LISA HEMEON
	
Flame Artist STEVE LOWRY
	
3D Artist KYE YONG PECK
	
	
Far Cry
	
Animation and VFX by SPIN
	
V.P./Director/Inferno Artist STEVEN LEWIS
	
Creative Director COLIN DAVIES
	
Executive Producer LISA HEMEON
	
3D Artist KYE YaNG PECK
	
Assistant Designer SEAN LEWIS
	
	
Armor and Sword
	
Visuals by CHRISTOPHER MILLS
	
	
Workin' Them Angels
	
LEWIS HINE photos courtesy of George Eastman Kodak and U.S. Photo Archives
	
Illustrations by HUGH SYME
	
Editorial by MARK PAIVA/School Editorial
	
	
The Larger Bowl
	
STEVE MYKOlYN & MElDMEDIA INC.
	
Art Director KEN REDDICK
	
Producer MICHAEL DOBELL
	
Motion Graphics Artists KEN REDDICK, JAMES HACKETT, MAT DEN BOER, MILICA STEFANCIC, SEBASTIAN GREBING
	
	
The Way the Wind Blows
	
ELECTRIC COMPANY
	
Visuals by CRANKBUNNY
	
	
The Main Monkey Business
	
ANDREW MacNAUGHTAN & SCHOOL EDITING
	
Editor MARK PAIVA
	
	
Swingin' Serpents
	
TANDEM DIGITAL
	
Creative Direction & Design, Motion Graphics GREG RUSSELL
	
Motion Graphics NICK CHOMICKI
	
	
A Passage to Bangkok
	
SCHOOL EDITING
	
Editor MARK PAIVA
	
	
Head in a Suitcase
	
Animation and VFX by SPIN
	
Designer/Animator STEVE LOWRY
	
Live action IMPORTED ARTISTS
	
Director DALE HESLIP
	
Producer MELANIE LECKIE
	
Editor MARK MORTON
	
	
Rear Screen Audio Mix
	
WANTED! SP
	
MIKE ROWLAND, JOHN "YJ" CAREY
	
"Bollywood" Limelight performed by JOHN "YJ" CAREY
	
	
European Touring Company NEIL WARNOCK, THE AGENCY GROUP, London
	
	
Lighting Supplied by PREMIER GLOBAL PRODUCTIONS, Nashville
	
	
Sound Supplied by MD-CLAIR BROTHERS, Nashville
	
	
Projection System Supplied by BCC SCREENWORKS, Westlake Village
	
	
Lasers Supplied by PRODUCTION DESIGN, Markham
	
	
Pyrotechnics Supplied by PYROTEK, Markham
	
	
Buses Supplied by BEAT THE STREET, Tirol
	
	
Trucking Supplied by STAGE TRUCK, Middlesex
	
	
Aircraft Charter Supplied by CHARTERMADESIMPLE, W. Sussex
	
	
Customs Brokers BARRY ZEAGMAN, B. ZEE BROKERAGE, Mississauga; SOUND MOVES UK LTD., Middlesex
	
	
Generators Provided by G.E. ENERGY RENTALS, SHOWPOWER
	
	
Catering UPBEAT FOOD, Kent
	
	
RUSH/Anthem Entertainment Consigliere ROBERT A. FARMER
	
	
Management RAY DANNIELS for, SRO MANAGEMENT INC.
	
© 2008 Core Music Publishing. All Rights Reserved.
	
© 2008 Anthem Entertainment; All Rights Reserved
	
® 2008 Anthem Film & Television/ All Rights Reserved.
	
In loving memory of our own Miss Shelley Nott - you will be with us always.
Recorded at the Ahoy Arena, October 16 and 17, 2007 in Rotterdam, Holland ("Isn't that weird?")
	
	
On-site Audio Producer Francois Lamoureux, assisted by Brian Mercier
	
Mixed by Richard Chycki and Alex Lifeson
	
Audio Post Production Mixland Music & DVD, Toronto and Lerxst Sound, Toronto
	
Mobile Truck: B&R Medientechnik, Bernd Kugler, Marc Lenz,
	
Timo Ostermann, Remi Romagny, Jan Wrede
	
Mastered by Andy VanDette, Masterdisk. New York, NY
	
Executive Producer: Pegi Cecconi
	
	
Art Direction, Illustration and Design by Hugh Syme
	
Photography by Andrew MacNaughtan and Ross Halfin
	
	
The Snakes & Arrows Tour Crew
	
	
Tour Manager and Tour Accountant: Liam Birt
	
Production Manager: Craig (C.B.) Blazier
	
Production Assistant: Karin (K.B.) Blazier
	
Road Manager: Donovan Lundstrom
	
Artist Liaison: Shelley Nott
	
Concert Sound Engineer: Brad Madix
	
Lighting Director: Howard Ungerleider
	
	
Keyboard Tech: Tony Geranios
	
Drum Tech: Lorne Wheaton
	
Bass Tech: Russ Ryan
	
Guitar Tech: Bobby Huck
	
	
Carpenter / Stage Manager: George Steinert
	
Nutritionist: Bruce (Frenchie) French
	
Monitor Engineer: Brent Carpenter
	
Security: Michael Mosbach, Kevin Ripa
	
Programming: Jim Burgess, Ed WHson
	
Riggers: John Fletcher, Jack Richard, Raffaele Buono, Chris Sorensen
	
Audio Crew: Jo Ravitch, Anson Moore, Daniel Taake
	
Lighting Crew: Rich Vinyard, Greg Haygood, Randy Garrett, Matt Tucker, Greg Szoba
	
Video Crew: David Davidian, Bob Larkin, Bill Quinn, Nick Strand
	
Lasers Tech: Andrew Seabeck
	
Pyro Tech: John Arrowsmith
	
TNA Rep: Keith Keller
	
Motorcycle Guru: Brutus
	
Truck Drivers: Arthur (Mac) McLear, Jon Cordes, Don Johnson, Tom Hartman, Dick Albrecht, Henry McBride, Greg Glazer, Matt Kenward, Gary Workman, Andy Goddard. Nigel Webber, Marc Coleman, Danny MacIntosh, Steve Berry, Andrew Mellor, Steve Spillman, Adrian Green
	
Bus Drivers: David Burnette, Lashawn Lundstrom, Marty Beeler, Joe C. Bush, Bob Reetz, Mark Baddams, Geoff Parnaby, Dave Good, Andrew Forster. Uwe Scholz
	
Catering Crew: Toni Leen, Hugh McFarlane, Simon Greenfield, Vivien Dale
	
	
Tour Merchandise: Patrick McLoughlin
	
	
Management: Ray Danniels, SRO Management Inc., Toronto
	
Management Staff: Pegi Cecconi, Sheila Posner, Anna LeCoche, Shelley Nott, Cynthia Barry, Andy Curran, Rayanne Lepieszo, Randy Rolfe and Bob Farmer
	
	
All songs: Lee/Lifeson/Peart except: The Main Monkey Business, Malgnant Narcissism: Lee/Lifeson, YYZ: Lee/Peart, Hope: Lifeson, De Slagwerker: Peart, Tome Sawyer: Lee/Lifeson/Peart/Dubois
	
All songs published by Core Music Publishing (SOCAN/SESAC)
	
	
In loving memory of our own Miss Shelley Nott -- you will be with us always.
	
CD © 2008 Atlantic Recording Corporation, April 15, 2008
"The Snakes & Arrows Live DVD was filmed with 21 High Definition cameras in 16x9 widescreen format, over two nights in October 2007 at the Netherlands' Ahoy Rotterdam arena during the renowned rock trio's lengthy world tour. Additional SD footage was filmed in Atlanta this past July. The five month trek supporting Rush's critically acclaimed 2007 studio release, Snakes & Arrows, which includes the Grammy® Award-nominated track, 'Malignant Narcissism,' topped Pollstar's Top 100 2007 Tours list at #12......While previous DVD releases showcase different sides of the band, this DVD offers fans a rare and close up look at the prodigious musicianship for which the band is renown. Cameras follow bassist and vocalist Geddy Lee, guitarist Alex Lifeson and drummer Neil Peart, closely, capturing not only their playing, note for note, but also the intimacy they share on stage. The diverse track list includes many new songs from Snakes & Arrows as well as old favorites like 'Tom Sawyer' and 'Freewill' plus an explosive rendition of 'Between the Wheels.' Among the hidden gems and numerous special tour moments included as extras is the fan coveted "What's That Smell" vignette and outtakes, a skit used to intro the second set, which capitalizes on the still emerging comedic talents of both Alex and Geddy who excel (and revel) in their roles as wild characters. Featuring collector's quality packaging and a choice of Dolby Digital 5.1 Surround Sound or PCM Stereo for a superior audio experience, the DVD was mixed by frequent collaborator Richard Chycki (Aerosmith, Mick Jagger). Total running time is 221 minutes." - Snakes & Arrows Live Press Release, Rush.com, September 22, 2008
"The CD came out just prior to us going back out on the road - it gave us a little boost I think, in terms of making everybody aware that we were going back out for the second half of the tour. But these things take a while. To do the 5.1 mix is always time-consuming. So, we were able to get a stereo mix out quite easily." - Alex Lifeson, UGO.com, December 11, 2008
Winner of the 2009 International Digital Media Alliance Excellence in Disc Audio (Blu Ray Disc) Award: "Snakes & Arrows Live was directed by Pierre and François Lamoureux of FogoLabs. A full service production company based out of both Montreal and New York City, FogoLabs is not new to the IMDA/DVDA awards having won 8 Excellence Awards over the years, this their 9th, including 'Facility of The Year' two years running. "I always have a great time recording Rush. They play so well that it makes life easier even though you have 80 odd tracks for 3 musicians! Kudos go out to Rich Chycki and Alex Lifeson who mixed the music, to Andy VanDette who mastered the mixes and to Denis Normandeau, my audio partner of 9 years, who encoded the music to DTS-HDMA for the Blu-Ray here at FogoLabs." said François Lamoureux, president of FogoLabs after receiving the good news." - Marketwire.com, June 25, 2009
"There are the outtakes from where we were doing the 'What's That Smell' thing with Harry Satchel, and I was the border guard, and I'm stopping Geddy at the border and asking him where he's going. We did a whole bunch of takes of that, and there were some takes that were good takes. But, we couldn't use them because the director was by the camera, and so close by, and he couldn't stop laughing. It ruined the audio of the take! So, I thought that was a pretty good sign, when you've got the director laughing so hard that you can't use a good take." - Alex Lifeson, ModernGuitars.com, January 23, 2009
"Filmed in Rotterdam, Holland in late 2007, this has every Rush song you could want on it and the Blu-ray disc is a nice step up from the DVD. If you're a Rush fan, do not deny yourself." - 25 best concert Blu-ray discs, CNET.com, May 7, 2010
"It really came out well, I thought. It looks great, the camera angles are great, and having 2 days [to shoot two shows] really made a big difference in terms of the variety of shots that we had to work with." - Alex Lifeson, Sound & Vision, July 2009
"With this one we wanted to focus on the playing. So a lot of the camera work features the interaction between Neil (Peart), Alex (Lifeson) and myself, a lot of the details that you don't normally cover in a DVD performance. So for fans of the music who love to see what everybody's fingers are doing and how we interact back and forth with each other, that became the overriding focus on this one." - Geddy Lee, Billboard.com, November 18, 2008
"It was a very relaxed night - which is unusual, for that kind of 'pressure' night. Whenever we're recording, there's always a sense of tension on stage. But we were really relaxed that night, and I think it was because we had the two nights. We were in the European portion - halfway through it - and we really enjoy traveling through Europe, so we were all in a pretty good headspace and relaxed. And I think it shows - there are moments throughout the DVD where there is interplay between the three of us and the audience - and you sense that we're having fun." - Alex Lifeson, UGO.com, December 11, 2008
"Those two gigs were pretty consistent gigs. I thought we played well both of those nights. It was at the end of the tour, and by that point in the tour we're pretty set with all of our tempos. Neil has a metronome on his drums that gives him a tempo reference at the beginning of a song. It's just a light that pulses, and it gives him a tempo reference. He's very solid...he used to play to a click for some stuff where we needed to sync with film, but we haven't done that in years. There's just no need for it anymore. He's just so locked in and so tight. You know, the difficulty is if you're playing a song with a quick tempo, and then you've got to pull it back for the next song, and sometimes it's hard to just shift your brain from something fast to something mid-tempo. So, that gives him a chance to catch his breath. He looks at the pulse, he gets that tempo into his head, he turns it off, and then he starts the song." - Alex Lifeson, GuitarInternational.com, January 23, 2009
"Those are part of the secret to my bass sound. Those roasters give me a hotter and tastier sound." - Geddy Lee, National Post, April 15th, 2008
"We typically only do about four new songs a tour, but this time we're doing nine total. This album is such a joy to play and the response has been overwhelming to it. We did the greatest hits nostalgia thing on our 30th Anniversary Tour in 2004, playing all the old stuff that we hadn't done in awhile - we didn't need to do it again." - Alex Lifeson, The Arizona Republic, July 24, 2007
"We all really wanted to do 'Faithless', and we talked about actually doing it on the last half of the tour. We prepped it and we ran through it a couple of times, but in the end we just decided to kind of stick with what we had and just change up some of the older stuff." - Alex Lifeson, Crawdaddy, October 22, 2008
"Neil triggers a lot of sounds with electronic drum pads. Now he's happy to call himself a drummer, a bass player, and a guitarist. In 'Far Cry,' there is one great big chord Neil triggers. I told him that every time he plays that part, he has to stick his arm in the air...if you're going to sound like a guitar player, you've got to look like one!" - Geddy Lee, Bass Player, August 2007
"[Rick Moranis and Dave Thomas] were up in Toronto filming a special for the CBC called the '2-4 Anniversary' (a 2-4 is what we Canadians call a case of beer). So they did this crazy special and they called me up and asked me if I would do a little cameo on the show. ... I've known Rick since I was a kid and I hadn't seen him in awhile and it was a blast doing this little segment with them. Then after we finished taping, I was leaving the building and I thought, 'Wouldn't it be great for them to do an intro to one of our songs?'... They said that they'd love to, so I sent them some titles of our songs and that's the one they chose." - Geddy Lee on the McKenzie Brother's intro to "The Larger Bowl", Austin American-Statesman, April 17, 2008
"In deciding to bring ['Natural Science'] back into our live set a few years ago, after not playing it for a while, we made some arrangement changes that we probably would have done at the time it was recorded in 1979 if that long, complex, multi-part suite hadn't been written and recorded in about two days! In most cases, we are happy to play our songs as they were recorded because we remain contented enough with them that way, but other times we can't resist reconsidering. We have done that with a few other older songs, where we felt it simply would have been better without a certain part, or as with 'Entre Nous' last tour, where it would have been better to repeat a certain passage." - Neil Peart on dropping the the second solo from "Natural Science", "Thus Spoke Neil" Drum Magazine, June 2009
"We tried to rehearse 'A Farewell To Kings' on the last tour and I couldn't successfully sing that without hurting myself, so we gave up. So yeah, there are moments of the past I cannot sing anymore." - Geddy Lee, Blender Magazine, April 2009
Our RUSH smartphone wallpapers have been modified for a 9:19.5 aspect ratio to fit "most" Smartphones.
This is a collection of transcripts of magazine and newspaper articles and other media related to this release or coinciding with the time frame surrounding it. This is an ongoing work in progress; feel free to email any suggested additions.